The genre defying New Academics are a Johannesburg
based South African band, who have dished out their twisted
brand of groove-oriented rock from almost every single club
and festival stage in the country since their inception in
2004. 5 years later, with 2 albums, 2 consecutive SAMA “Best
Alternative Album” nominations and 3 European Tours under
their belt, the band has stepped off the beaten path once
more as 2009 sees them redirect their sound down more electronically
oriented pathways.
New Academics was founded by Joe Penn (vocals) and Dave Baudains
(guitar) in the balmy summer of '04, way down south of Johannesburg
in the tourist mecca of Cape Town. After a brief stint on
the coastal scene as a trio (vocals & sampler, guitar
and drums), they packed their bags for the big city and wound
their way through the dusty Karoo up to the burnt out concrete
disco-ball that is Johannesburg. Shortly after arrival, they
joined forces with bass playing pogo stick Martin Labuschagne
and funk-metal human drumming machine Howie Combrink to record
the album “City of Strange”.
The band came together in studio in early 2008 to record the
second album, "The Apple" along with new drummer
Brendon Van Rooyen, which was released and toured nationally
mid-2008. The album showcases a more mature and focussed New
Academics, spread across 12 tracks with varied themes running
through the gambit of the South African reality.
In late 2008, the band embarked upon an extremely successful
tour of Germany and The Netherlands, which included a hi-octane
exhibition performance for the Popkomm music industry festival
in Berlin. The tour laid solid groundwork for further trips
abroad, and in the first half of 2009 the band set off on
two return outings to Europe; with festival and club appearances
across The Netherlands, Germany and France.
With the onset of 2009 came a desire for further musical experimentation,
as principle song-writers Joe Penn and Dave Baudains re-united
with drummer Howie Combrink to steer the band’s sound down
alternate sonic boulevards. The sound remains energetic and
propulsive, but now sports a dark, spacey, electronic tint
as infant material for a proposed third album twists and turns
itself into tangible shape.
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